‘It was pretty gnarly’: Sinners cinematographer on bugs, blood splatters and Hollywood ‘boys’ club’
Breaking Barriers: Cinematographer Autumn Durald Arkapaw Reflects on ‘Sinners’ and Hollywood’s Gender Dynamics
Autumn Durald Arkapaw has emerged as a trailblazer in this year’s Oscar and BAFTA races, thanks to her standout contributions to Ryan Coogler’s vampire horror film, Sinners.
Her nomination marks a historic milestone, as she becomes the first woman of color to be considered for cinematography in the annals of both prestigious awards. This achievement also places her among a select group of women recognized in the category, highlighting a rare but growing presence in an industry traditionally dominated by men.
Shooting Sinners in the sweltering climate of the American South presented unique challenges. “The humidity and insects made things tough,” Arkapaw recalls with a laugh, describing her efforts to shield herself from the elements. “I tried covering my head with mesh, but the bugs still found their way through.”
When discussing her creative process, Arkapaw emphasizes the importance of immersion. “My role is to position the camera where it captures the most authentic experience,” she says. This philosophy led her to place herself in intense action sequences, often drenched in simulated blood. “The crew would secure me with plastic or tarps,” she explains, detailing the physical demands of the job.
Arkapaw believes that firsthand involvement in the chaos is crucial for storytelling. “Being there in the moment helps the film resonate more deeply,” she asserts. “If it feels real to me, I know it will translate to the audience.”
Reflecting on her breakthrough, she credits Ryan Coogler. “This opportunity came from him,” she says. “He’s a strong advocate for women in film, and now our department heads are like sisters to me.”
Despite the acclaim, Arkapaw remains focused on the broader picture. “There’s still a boys’ club mentality in Hollywood,” she acknowledges. “When I attended film school in 2009, only 11 of 28 students were women. They’re present, but the doors haven’t always opened wide enough.”
If she secures an Oscar win, Arkapaw would etch her name into history as the first woman to achieve this feat. Notably, cinematography remains the sole Oscar category without a female winner to date.
Arkapaw’s recognition has also sparked inspiration among aspiring filmmakers. “It’s rewarding to see young girls interested in following my path,” she shares. “When I began, I just wanted people to see my work and accept it. That’s happening now.”
